ABOVE & BEYOND PERFORM ACOUSTIC HEADLINING SHOW AT CHICAGO THEATRE

Nov
16

November 16, 2015

React Presents - News Flash

React Presents is thrilled to host ABOVE & BEYOND’S Acoustic headlining show at the legendary CHICAGO THEATRE on Wednesday, May 11, 2016. To accompany the electronic supergroup’s new album Acoustic II, set for release in the spring of 2016, Above & Beyond will embark on a tour across three continents encompassing plays in some of the most prestigious music venues in the world.

Tickets on sale to the public December 4th. Click HERE to sign-up for exclusive first access to tickets.

Above & Beyond commented: “We had so much fun doing the first run of acoustic shows and it was really the reaction from our fans that convinced us to tour it more extensively. We’ve ticked some pretty impressive venue boxes with this tour – somebody pinch us!”

In their most recent promo video, ABOVE & BEYOND (Jono Grant, Tony McGuinness, Paavo Siljamäki) teased new material from the forthcoming acoustic album with a downtempo interpretation of festival anthem “Hello.” The new album–simply titled Acoustic II–is a follow up to the iTunes dance chart topping 2014 album Acoustic and will once again be produced in collaboration with producer Bob Bradley.

Acoustic II will feature lush new arrangements of some of the biggest hits from ABOVE & BEYOND’s Billboard Dance Chart topping LP We Are All We Need, as well as some of the most popular ABOVE & BEYOND hits from years gone by, including “Alchemy” and “No One On Earth.” Fans can pre-order the Acoustic II CD from anjunastore.com now.

ABOVE & BEYOND’s acoustic project began in 2013 with a short run of shows including London’s Porchester Hall and a two-night sold out run at Los Angeles’ Greek Theatre. With Paavo Siljamäki on grand piano, Jono Grant on Rhodes and Tony McGuinness on guitars and vocals, the trio performed as part of a 15-piece band alongside vocalists Zoë Johnston, Annie Drury and Alex Vargas for what Billboard magazine described as ‘…one of the finest shows in dance music history.’

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